One is a streaming all-in-one and the other is an amplifier. Judge them on how many boxes you want and what you already own, not on the spec sheet alone.
| Area | Better | Why |
|---|
| Power | B | NAD C 389 has more power - 130W against 80W into 8 ohms. That is about 2.1dB, so it plays usefully louder before it runs out and has more in hand on peaks. |
| Room size | depends | We rate Cambridge CXA81 II the better fit for a small room, and NAD C 389 for a large room and a very large room. Match the amplifier to the room you actually have, not the one you want. |
| Grip on hard loads | A | Cambridge CXA81 II holds up better into a 4-ohm load: its output increases strongly to 120W, where the other barely increases. That matters with demanding speakers far more than the 8-ohm figure does. |
| Noise floor | A | Cambridge CXA81 II is the quieter design on paper - 105dB against 95dB. Audible mainly with sensitive speakers in a quiet room. |
| Built-in DAC | A | Both decode on board, but only Cambridge CXA81 II handles DSD. |
| Streaming | evenly matched | Only Cambridge CXA81 II has Roon. Neither list is longer in a way that matters - check the one service you actually pay for. |
| Analogue inputs | A | Cambridge CXA81 II takes more analogue sources - 5 against 3. |
| Phono stage | depends | NAD C 389 has a built-in phono stage (MM) and Cambridge CXA81 II does not. Decisive if you own a turntable, completely irrelevant if you do not - and an outboard phono stage is easy to add later either way. |
| Use with a TV | depends | Only NAD C 389 has HDMI eARC, so the television can drive it directly and one remote controls the volume. If the system is for music only, this changes nothing. |
| Room to grow | evenly matched | The same expansion options on both. |
| Amplifier class | depends | Cambridge CXA81 II is Class A/B and NAD C 389 is Class D. Class A/B runs warm and is the long-established mainstream choice; Class D runs cool and draws almost nothing at idle. Modern examples of both measure well - judge by the rest of the page. |
| Price | A | Cambridge CXA81 II costs less - $1,199 against $1,999 at list. |
A Cambridge CXA81 II B NAD C 389
depends neither is better in the abstract - it turns on your room, your system or how you will use them. Only specs published for both amplifiers are judged; anything missing on either side is left out rather than guessed.
Which should you choose?
Cambridge CXA81 II is the easier recommendation: it leads on most of the measured areas and costs less. Take NAD C 389 if one of the "depends" rows above describes your system. If your speakers are a difficult load - 4 ohms nominal, big woofers, or a sensitivity in the low 80s - Cambridge CXA81 II is the safer partner, because how an amplifier behaves when the impedance drops matters more than its 8-ohm rating. Start with the room. In a large or open-plan room, or with speakers that are hard to drive - low sensitivity, or an impedance that dips - NAD C 389 has the headroom, and headroom is what stops an amplifier hardening up on peaks. At desk distance or in a small room, 80 watts is already more than most people ever use, and the extra 50 watts would be headroom you pay for and never hear - we rate NAD C 389 poorly for near-field use for exactly that reason.
What a spec sheet cannot show: how either sounds with your speakers, how the controls feel day to day, and what the app is like to live with - which is where most all-in-one amplifiers are actually won or lost. Power figures are the manufacturers' own and are not measured to a common standard, so treat small differences as noise. If you can hear both, that will tell you more than any row above.