In this review, we will be comparing EVO5.4 and Triton Seven, two Passive Floor-standing speakers from Wharfedale and GoldenEar.
Let's have a brief look at the main features
of Wharfedale EVO5.4 and GoldenEar Triton Seven first before getting into our more
detailed comparison.
| Key Specs | Wharfedale EVO5.4 | GoldenEar Triton Seven |
|---|
| Brand | Wharfedale
United Kingdom · founded 1932 | GoldenEar
United States · founded 2010 |
|---|
| Design | 3-way | 2-way |
|---|
| Tweeter | 1.375" AMT (Ribbon) | Folded Ribbon |
|---|
| Midrange | 2" | — |
|---|
| Woofer | 2 x 6.5" woven Kevlar | 2 x 5.25" Polypropylene |
|---|
| Frequency response | 42-24k Hz | 29-35k Hz |
|---|
| Sensitivity | 90 dB | 89 dB |
|---|
| Impedance | 4 ohms | 8 ohms |
|---|
| Power range | 30-200 watts | 10-300 watts |
|---|
| Weight | 31.27kg / 68.8lbs | 14.55kg / 32lbs |
|---|
| Dimensions (H x W x D) | 40.5" x 11.9" x 15.4"
1028.0 x 302.0 x 391.0mm | 40-1/2" x 10-1/2" x 14-1/2"
1029.0 x 267.0 x 369.0mm |
|---|
What size room are the Wharfedale EVO5.4 and GoldenEar Triton Seven speakers good for?
The size of the room in which you are planning to use these loudspeakers is an important decision
factor. Here we have compared their suitability to various sizes of environments considering their size
and max power parameters:
| Listening Environment* |
Wharfedale EVO5.4 |
GoldenEar Triton Seven |
| Near-field |
Bad |
Bad |
| Small Room |
Poor |
Poor |
| Mid-size Room |
Good |
Average |
| Large Room |
Good |
Good |
| Very Large Room |
Poor |
Average |
(* Approximate Room sizes: Small < 100sq. ft / 9 m2,
Mid-size: 100-220 sq. ft / 9-20 m2, Large 220-400 sq. ft / 20-36 m2, Very Large: >
400 sq. ft / 36 m2.
Average Floor Height: 9" / 2.7m. Typical room sizes differ from country to country, and the actual
listening experience changes depending on floor height, room shape, surface materials, listening
position, speaker locations, etc.)
The sections below take each area in turn: drivers, frequency response, physical size and what you get in the box.
Drivers
One of the fundamental differences between these two speakers is that EVO5.4 is a 3-way design whereas the Triton Seven is a 2-way speaker. 3-way designs utilize a midrange driver in addition to the tweeter and woofer on 2-way designs. Designing a crossover for a 3-way speaker is a complicated process and generally increases the overall cost of the speaker.
Wharfedale EVO5.4GoldenEar Triton Seven
TweeterMidrangeWoofer
Front view, drawn to scale - cabinets and drivers share one scale, so sizes are directly comparable. Hover a driver for its size.
| Driver |
Wharfedale EVO5.4 |
GoldenEar Triton Seven |
|
Driver Setup
|
3-way
|
2-way
|
|
Tweeter
|
1.375-inch
|
-inch
|
|
Midrange
|
1 x 2-inch |
- |
|
Woofer
|
2 x 6.5-inch
|
2 x 5.25-inch
|
EVO5.4 features a 1.375" SilentWeave cotton and felt damping fiber AMT (Ribbon) Tweeter, a 2" Midrange and 2 x 6.5" woven Kevlar Woofer with a Crossover frequency at 1.1 kHz and 4 kHz. On the other hand, the Triton Seven features a " Folded Ribbon Tweeter and 2 x 5.25" Polypropylene Woofer.
Frequency Response
EVO5.4 has a frequency range of 42-24k Hz whereas Triton Seven has a frequency range of 29-35k Hz. With a minimum frequency of 29Hz, the Triton Seven can go significantly deeper on the low side and provide stronger bass compared to the EVO5.4's min frequency of 42Hz.
The graph below depicts how these two speakers compare with the max, min and average Low Frequency values of other speakers in the Floor-standing class in our database.
Low Frequency
Floor-standing Speakers
Neither pair reaches down to 20Hz, the usual definition of full-range, which is normal for speakers of this size. If you want the bottom octave for movies or bass-heavy music, add a subwoofer to whichever you choose. Visit our Powered Subwoofers section to find out more about the available options.
Impedance and Sensitivity
EVO5.4 is a 4 ohms speaker compared to the Triton Seven which has a nominal impedance of 8 ohms. Lower impedance speakers, especially the ones that are rated at 4 ohms may put more pressure on the amplifier unit especially when played at high volume levels, so make sure the amp you pair with the EVO5.4 can provide this impedance level.
These two speakers also have different sensitivity levels. EVO5.4 sensitivity is rated at 90 dB and the Triton Seven's is rated at 89 dB. This 1 dB difference makes the Wharfedale EVO5.4 a more sensitive speaker compared to GoldenEar Triton Seven, hence will play louder with the same amount of watts.
Sensitivity
Floor-standing Speakers
Power Range
Power
range is the range of input power in watts RMS that a loudspeaker is designed to handle. Staying
within that range gives nominal performance; driving the speaker beyond its maximum wattage can damage it.
Triton Seven can handle a max power of 300 watts RMS, whereas EVO5.4 has a max power handling value of 200 watts RMS, 100 watts less than the Triton Seven.
Note that higher power handling does not make a speaker louder: that depends mainly on
sensitivity and impedance. The calculator below shows how loud each of these actually plays
on a real amplifier.
Which plays louder on your amplifier?
Starting with a popular amplifier - change it to the one you own, or any you are
considering, and watch both numbers move.
Input Type and Bi-Amping / Bi-Wiring
EVO5.4 features 5-way Post type posts and Triton Seven has a 5-way Post type posts. None of these speakers feature bi-amping/bi-wiring.
Wharfedale EVO5.4's Binding post terminals
Cabinet Type and Port Position
EVO5.4 has a bottom firing port whereas Triton Seven has a rear firing ports. Wharfedale EVO5.4's bottom-firing port gives more flexibility in placement in regards to proximity to walls compared to GoldenEar Triton Seven with its rear-firing port.
Physical Specs
The size of a speaker can sometimes be an important decision factor due to space constraints or in some cases purely for esthetic reasons. In this section, we are going to compare Wharfedale EVO5.4's and GoldenEar Triton Seven's external dimensions. Wharfedale EVO5.4 has external dimensions of 1028.0 x 302.0 x 391.0mm (40.5" × 11.9" × 15.4") whereas GoldenEar Triton Seven has external dimensions of 1029.0 x 267.0 x 369.0mm (40-1/2 x 10-1/2 x 14-1/2inch).
GoldenEar Triton Seven is 35mm narrower and 22mm less deeper than Wharfedale EVO5.4 but it is also 1mm taller.
Size, drawn to scale
Both speakers and both views share one scale, so everything here is directly comparable. Hover a box for its dimensions.
One scale for both, standing on the same surface and pushed back to the same wall, so the deeper one visibly sticks out further.
Wharfedale EVO5.4 needs about 20% more floor or shelf area. Wharfedale EVO5.4 is 22mm deeper, so it stands that much further out from the wall.
Base Surface Area Comparison
Base surface area of a loudspeaker may become a determining factor when the space in your room or desk is limited.
The base surface area of the Wharfedale EVO5.4 is approximately 1180.8cm2 / 183.0inch2 and base area of the GoldenEar Triton Seven is approximately 985.2cm2 / 152.7inch2. The EVO5.4 requires 20% more surface area than the Triton Seven which gives it a small disadvantage on placement in tight spaces.
Weight Comparison The weight of a loudspeaker can become an important factor if you need to move and reposition the unit often. Weight of a speaker can also "sometimes" be an indicator of the rigidity of the enclosure and the quality of the internal components used. The Wharfedale EVO5.4 weighs 31.27kg / 68.8lbs and the GoldenEar Triton Seven weighs 14.55kg / 32lbs. This makes the EVO5.4 115% heavier than the Triton Seven.
Here is a comparison of how EVO5.4 and Triton Seven's weights compare with the average, max and min weights in Passive Floor-standing class.
Weight
All Floor-standing Speakers
What's in the Box of Wharfedale EVO5.4?
Here are the items that are included inside the box of EVO5.4:
- Floorstanding loudspeaker
- Grille
- 4 Outrigger feet (pre-installed)
- 4 Spikes (pre-installed)
- 4 Isolation pucks
- 2 Jumper-bars (pre-installed)
- Pair of white cloth gloves
- User Manual
What's in the Box of GoldenEar Triton Seven?
Here are the items that come with the Triton Seven:
- Floorstanding loudspeaker
- 4 Rubber feet (pre-installed)
- 4 Spikes
- 4 Locking nuts
- Owners Manual
 Driver Setup |
3-way
vs
2-way
|
Have a dedicated mid-range driver |
 Sensitivity |
90 dB
vs
89 dB
|
Play louder with same amount of amplification power |
 Woofer Size |
6.5 inches
vs
5.25 inches
|
Larger woofer |
 Height |
1028mm
vs
1029mm
|
Easier to fit in smaller spaces |
 Max Input Power |
300 watts
vs
200 watts
|
Handle more power from your amplifier |
 Nominal Impedance |
8 ohms
vs
4 ohms
|
Less selective with amplifiers |
|
Low Frequency Response |
29 Hz
vs
42 Hz
|
Generates deeper bass |
 High Frequency Response |
35k Hz
vs
24k Hz
|
Generates higher frequency |
 Passive Radiator |
dual 8-inch infrasonic planar sub-bass
vs
None
|
Increases the bass performance |
 Base Surface Area |
985cm2
vs
1180cm2
|
Takes less floor space |
 Price per pair* |
1798USD
vs
2199USD
|
costs less (*prices may change depending on the seller, location and time) |
| General |
Wharfedale EVO5.4 |
GoldenEar Triton Seven |
| Brand |
Wharfedale |
GoldenEar |
| Speaker Type |
Floor-standing speaker |
Floor-standing speaker |
| Power Range |
30-200 watts |
10-300 watts |
| Sensitivity |
90 dB |
89 dB |
| Impedance |
4 ohms |
8 ohms |
| Impedance |
4.3 ohms |
n/a |
| Frequency Response |
42-24k Hz |
29-35k Hz |
Drivers |
|
|
| Woofer Quantity |
2 |
2 |
| Woofer Size |
6.5" |
5.25" |
| Woofer Composition |
woven Kevlar |
Polypropylene |
| Woofer Surround Material |
Rubber |
Rubber |
| Tweeter Size |
1.375" |
- |
| Tweeter Type |
AMT (Ribbon) |
Folded Ribbon |
| Aimable Tweeter |
No |
No |
| Midrange Driver |
2" |
No |
| Crossover Frequency |
1.1 kHz and 4 kHz |
n/a |
| Firing Direction |
bottom |
rear |
Physical Specs |
|
|
| Height |
1028.0mm (40.5") |
1029.0mm (40.5") |
| Width |
302.0mm (11.9") |
267.0mm (10.5") |
| Depth |
391.0mm (15.4") |
369.0mm (14.5") |
| Weight |
31.27kg (68.8lbs) |
14.55kg (32lbs) |
| Enclosure |
Bass Reflex |
Passive Radiator |
| Finish |
MDF/Wood-veneer |
MDF/Lacquer |
| Available Colors |
Walnut, Grey. Black, White |
Gloss Black |
| Grille |
Yes |
n/a |
| Moisture Resistancy |
No |
No |
Connections |
|
|
| Biamp Inputs |
No |
No |
Other |
|
|
| Parts Warranty |
5 Years |
5 Years |
| Labor Warranty |
5 Years |
5 Years |
A generation apart: Wharfedale EVO5.4 is the newer design, against a 2013 model. Newer is not automatically better, but the older one is more likely to be discounted or near run-out.
| Area | Better | Why |
|---|
| Bass | B | GoldenEar Triton Seven digs deeper - 29Hz against 42Hz. |
| Amplifier needs | evenly matched | Similar sensitivity (90dB vs 89dB) - both want much the same power. |
| Amplifier match | B | GoldenEar Triton Seven is the easier load at 8 ohms; the other is 4 ohms and wants an amplifier rated for it. |
| Headroom | B | GoldenEar Triton Seven takes more power (300W vs 200W) - more in hand in a big room. |
| Size | depends | Similar cabinet size - neither is easier to fit. |
| Cabinet | depends | Ported vs Passive Radiator. |
| Price | B | GoldenEar Triton Seven is cheaper - $1,798 against $2,199, about 18% less. |
A Wharfedale EVO5.4 B GoldenEar Triton Seven
depends neither is better in the abstract - it turns on your room, your system or how you will use them. Only specs published for both speakers are judged; anything missing on either side is left out rather than guessed.
Which should you choose?
GoldenEar Triton Seven is the easier recommendation: it leads on most of the measured areas and costs less. Take Wharfedale EVO5.4 if its size, looks or fit in your room suit you better. If a subwoofer is in your plans, the bass gap largely stops mattering - you would be crossing over above 42Hz anyway, so judge these on the other rows instead. Match it to your room: we rate Wharfedale EVO5.4 the better fit for a mid-size room, and GoldenEar Triton Seven for a very large room.
And remember what a spec sheet cannot show: how each looks in your room and whether the finish suits it, what dealer support and warranty are like where you live, and how they actually sound to you. If you can hear them first - ideally with your own music - that will tell you more than any number above.