In this review, we will be comparing R5 Meta and Triton Five, two Passive Floor-standing speakers from KEF and GoldenEar.
Let's have a brief look at the main features
of KEF R5 Meta and GoldenEar Triton Five first before getting into our more
detailed comparison.
| Key Specs | KEF R5 Meta | GoldenEar Triton Five |
|---|
| Brand | KEF
United Kingdom · founded 1961 | GoldenEar
United States · founded 2010 |
|---|
| Design | 3-way | 2-way |
|---|
| Uni-Q driver | 12th Generation Uni-Q | — |
|---|
| Tweeter | 1" Vented dome | Folded Ribbon |
|---|
| Midrange | 5" | — |
|---|
| Woofer | 2 x 5.25" Hybrid Aluminum | 2 x 6" Polypropylene |
|---|
| Frequency response | 52-28k Hz | 26-35k Hz |
|---|
| Sensitivity | 87 dB | 90 dB |
|---|
| Impedance | 4 ohms | 8 ohms |
|---|
| Power range | 15-200 watts | 15-400 watts |
|---|
| Weight | 24.55kg / 54lbs | 18.18kg / 40lbs |
|---|
| Dimensions (H x W x D) | 42-1/4" x 10-3/4" x 13-1/2"
1074.0 x 274.0 x 343.0mm | 44-1/2" x 11-1/16" x 16-9/16"
1131.0 x 281.0 x 421.0mm |
|---|
What size room are the KEF R5 Meta and GoldenEar Triton Five speakers good for?
The size of the room in which you are planning to use these loudspeakers is an important decision
factor. Here we have compared their suitability to various sizes of environments considering their size
and max power parameters:
| Listening Environment* |
KEF R5 Meta |
GoldenEar Triton Five |
| Near-field |
Bad |
Are you nuts? |
| Small Room |
Poor |
Poor |
| Mid-size Room |
Average |
Average |
| Large Room |
Good |
Good |
| Very Large Room |
Average |
Good |
(* Approximate Room sizes: Small < 100sq. ft / 9 m2,
Mid-size: 100-220 sq. ft / 9-20 m2, Large 220-400 sq. ft / 20-36 m2, Very Large: >
400 sq. ft / 36 m2.
Average Floor Height: 9" / 2.7m. Typical room sizes differ from country to country, and the actual
listening experience changes depending on floor height, room shape, surface materials, listening
position, speaker locations, etc.)
The sections below take each area in turn: drivers, frequency response, physical size and what you get in the box.
Drivers
One of the fundamental differences between these two speakers is that R5 Meta is a 3-way design whereas the Triton Five is a 2-way speaker. 3-way designs utilize a midrange driver in addition to the tweeter and woofer on 2-way designs. Designing a crossover for a 3-way speaker is a complicated process and generally increases the overall cost of the speaker.
KEF R5 MetaGoldenEar Triton Five
TweeterMidrangeWoofer
Front view, drawn to scale - cabinets and drivers share one scale, so sizes are directly comparable. Hover a driver for its size.
| Driver |
KEF R5 Meta |
GoldenEar Triton Five |
|
Driver Setup
|
3-way
|
2-way
|
|
Tweeter
|
1-inch
|
-inch
|
|
Midrange
|
1 x 5-inch |
- |
|
Woofer
|
2 x 5.25-inch
|
2 x 6-inch
|
R5 Meta features a 1" Aluminum with MAT absorber Vented dome Tweeter, a 5" Midrange and 2 x 5.25" Hybrid Aluminum Woofer with a Crossover frequency at 400Hz and 2700Hz. On the other hand, the Triton Five features a " Folded Ribbon Tweeter and 2 x 6" Polypropylene Woofer.
Frequency Response
R5 Meta has a frequency range of 52-28k Hz whereas Triton Five has a frequency range of 26-35k Hz. With a minimum frequency of 26Hz, the Triton Five can go significantly deeper on the low side and provide stronger bass compared to the R5 Meta's min frequency of 52Hz.
The graph below depicts how these two speakers compare with the max, min and average Low Frequency values of other speakers in the Floor-standing class in our database.
Low Frequency
Floor-standing Speakers
Neither pair reaches down to 20Hz, the usual definition of full-range, which is normal for speakers of this size. If you want the bottom octave for movies or bass-heavy music, add a subwoofer to whichever you choose. Visit our Powered Subwoofers section to find out more about the available options.
Impedance and Sensitivity
R5 Meta is a 4 ohms speaker compared to the Triton Five which has a nominal impedance of 8 ohms. Lower impedance speakers, especially the ones that are rated at 4 ohms may put more pressure on the amplifier unit especially when played at high volume levels, so make sure the amp you pair with the R5 Meta can provide this impedance level.
These two speakers also have different sensitivity levels. R5 Meta sensitivity is rated at 87 dB and the Triton Five's is rated at 90 dB. This 3 dB difference makes the GoldenEar Triton Five a more sensitive speaker compared to KEF R5 Meta, hence will play louder with the same amount of watts.
Sensitivity
Floor-standing Speakers
Power Range
Power
range is the range of input power in watts RMS that a loudspeaker is designed to handle. Staying
within that range gives nominal performance; driving the speaker beyond its maximum wattage can damage it.
Triton Five can handle a max power of 400 watts RMS, whereas R5 Meta has a max power handling value of 200 watts RMS, 200 watts less than the Triton Five.
Note that higher power handling does not make a speaker louder: that depends mainly on
sensitivity and impedance. The calculator below shows how loud each of these actually plays
on a real amplifier.
Which plays louder on your amplifier?
Starting with a popular amplifier - change it to the one you own, or any you are
considering, and watch both numbers move.
Input Type and Bi-Amping / Bi-Wiring
R5 Meta features Custom 5-way bi-wire tool-less binding posts posts which make bi-amping or bi-wiring possible. Triton Five has a 5-way Post which doesn't feature bi-amping/bi-wiring.
KEF R5 Meta's Custom 5-way bi-wire tool-less binding posts terminals allows Bi-amping or bi-wiring
Cabinet Type and Port Position
Both R5 Meta and Triton Five have rear firing ports. Rear ported speakers generally need more room between the backside of the speaker and the wall compared to sealed and front/bottom ported speakers. Placing the speakers too close to the walls may cause the bass to sound boomy.
If you are limited in space and can't get the speakers away from the backwall, check our Speakers with Front Firing Ports page.
Physical Specs
The size of a speaker can sometimes be an important decision factor due to space constraints or in some cases purely for esthetic reasons. In this section, we are going to compare KEF R5 Meta's and GoldenEar Triton Five's external dimensions. KEF R5 Meta has external dimensions of 1074.0 x 274.0 x 343.0mm (42-1/4-inch x 10-3/4-inch x 13-1/2-inch) whereas GoldenEar Triton Five has external dimensions of 1131.0 x 281.0 x 421.0mm (44-1/2 x 11-1/16 x 16-9/16inch).
GoldenEar Triton Five is clearly the larger of the two speakers. Its body is 7mm wider, 57mm taller and 78mm deeper than KEF R5 Meta.
Base Surface Area Comparison
Base surface area of a loudspeaker may become a determining factor when the space in your room or desk is limited.
The base surface area of the KEF R5 Meta is approximately 939.8cm2 / 145.7inch2 and base area of the GoldenEar Triton Five is approximately 1183.0cm2 / 183.4inch2. The R5 Meta requires 21% less surface area than the Triton Five which gives it a small advantage on placement in tight spaces.
Weight Comparison The weight of a loudspeaker can become an important factor if you need to move and reposition the unit often. Weight of a speaker can also "sometimes" be an indicator of the rigidity of the enclosure and the quality of the internal components used. The KEF R5 Meta weighs 24.55kg / 54lbs and the GoldenEar Triton Five weighs 18.18kg / 40lbs. This makes the R5 Meta 35% heavier than the Triton Five.
Here is a comparison of how R5 Meta and Triton Five's weights compare with the average, max and min weights in Passive Floor-standing class.
Weight
All Floor-standing Speakers
What's in the Box of KEF R5 Meta?
Here are the items that are included inside the box of R5 Meta:
- R5 Meta
- Microfiber grille
- Plinth and spike accessories
- Port bungs
- User manual and warranty information
What's in the Box of GoldenEar Triton Five?
Here are the items that come with the Triton Five:
- Floorstanding loudspeaker
- 4 Rubber feet (pre-installed)
- 4 Spikes
- 4 Locking nuts
- Owners Manual
 Driver Setup |
3-way
vs
2-way
|
Have a dedicated mid-range driver |
 Bi-Amping and Bi-Wiring |
Yes
vs
No
|
Allows bi-amping and bi-wiring connections |
 Height |
1074mm
vs
1131mm
|
Easier to fit in smaller spaces |
 Base Surface Area |
939cm2
vs
1183cm2
|
Takes less floor space |
 Max Input Power |
400 watts
vs
200 watts
|
Handle more power from your amplifier |
 Sensitivity |
90 dB
vs
87 dB
|
Play louder with same amount of amplification power |
 Nominal Impedance |
8 ohms
vs
4 ohms
|
Less selective with amplifiers |
 Woofer Size |
6 inches
vs
5.25 inches
|
Larger woofer |
|
Low Frequency Response |
26 Hz
vs
52 Hz
|
Generates deeper bass |
 High Frequency Response |
35k Hz
vs
28k Hz
|
Generates higher frequency |
 Passive Radiator |
four 8-inch infrasonic planar sub-bass
vs
None
|
Increases the bass performance |
 Price per pair* |
2398USD
vs
3998USD
|
costs less (*prices may change depending on the seller, location and time) |
| General |
KEF R5 Meta |
GoldenEar Triton Five |
| Brand |
KEF |
GoldenEar |
| Speaker Type |
Floor-standing speaker |
Floor-standing speaker |
| Power Range |
15-200 watts |
15-400 watts |
| Sensitivity |
87 dB |
90 dB |
| Impedance |
4 ohms |
8 ohms |
| Impedance |
3.2 ohms |
n/a |
| Frequency Response |
52-28k Hz |
26-35k Hz |
Drivers |
|
|
| Woofer Quantity |
2 |
2 |
| Woofer Size |
5.25" |
6" |
| Woofer Composition |
Hybrid Aluminum |
Polypropylene |
| Woofer Surround Material |
Rubber |
Rubber |
| Tweeter Size |
1" |
- |
| Tweeter Type |
Vented dome |
Folded Ribbon |
| Aimable Tweeter |
No |
No |
| Midrange Driver |
5" |
No |
| Crossover Frequency |
400Hz and 2700Hz |
n/a |
| Firing Direction |
rear |
rear |
Physical Specs |
|
|
| Height |
1074.0mm (42.3") |
1131.0mm (44.5") |
| Width |
274.0mm (10.8") |
281.0mm (11.1") |
| Depth |
343.0mm (13.5") |
421.0mm (16.6") |
| Weight |
24.55kg (54lbs) |
18.18kg (40lbs) |
| Enclosure |
Bass Reflex |
Passive Radiator |
| Finish |
n/a |
MDF/Lacquer |
| Available Colors |
Black Gloss, White Gloss, Walnut |
Gloss Black |
| Moisture Resistancy |
No |
No |
Connections |
|
|
| Biamp Inputs |
Yes |
No |
Other |
|
|
| Parts Warranty |
5 years |
5 Years |
| Labor Warranty |
5 years |
5 Years |
These sit in different price classes - KEF R5 Meta costs roughly 1.7x what GoldenEar Triton Five does. Expect it to lead on paper; the question is whether the gap is audible enough in your room to be worth it.
| Area | Better | Why |
|---|
| Bass | B | GoldenEar Triton Five digs deeper - 26Hz against 52Hz. |
| Amplifier needs | B | GoldenEar Triton Five is more sensitive (90dB vs 87dB), so it goes louder on the same amplifier. |
| Amplifier match | B | GoldenEar Triton Five is the easier load at 8 ohms; the other is 4 ohms and wants an amplifier rated for it. |
| Headroom | B | GoldenEar Triton Five takes more power (400W vs 200W) - more in hand in a big room. |
| Size | depends | KEF R5 Meta is easier to place; GoldenEar Triton Five is bigger, which usually goes with fuller bass. Your room decides. |
| Cabinet | depends | Ported vs Passive Radiator. |
| Expandability | A | KEF R5 Meta: bi-amping. |
| Price | B | GoldenEar Triton Five is cheaper - $2,398 against $3,998, about 40% less; arguably a different class. |
A KEF R5 Meta B GoldenEar Triton Five
depends neither is better in the abstract - it turns on your room, your system or how you will use them. Only specs published for both speakers are judged; anything missing on either side is left out rather than guessed.
Which should you choose?
GoldenEar Triton Five is the easier recommendation: it leads on most of the measured areas and costs less. Take KEF R5 Meta if its size, looks or fit in your room suit you better. If a subwoofer is in your plans, the bass gap largely stops mattering - you would be crossing over above 52Hz anyway, so judge these on the other rows instead. Match it to your room: we rate GoldenEar Triton Five the better fit for a very large room; elsewhere the two are rated the same.
And remember what a spec sheet cannot show: how each looks in your room and whether the finish suits it, what dealer support and warranty are like where you live, and how they actually sound to you. If you can hear them first - ideally with your own music - that will tell you more than any number above.