In this review, we will be comparing Stage 220P and ASW610, two Powered Subwoofer speakers from JBL and Bowers Wilkins. Being Powered subwoofers, they both have built-in amplifiers so you don't need an external power amp or an integrated amp to power them. Let's have a brief look at the main features of JBL Stage 220P and B&W ASW610 first before getting into our more detailed comparison.
The sections below take each area in turn: driver and amplifier, frequency response, physical size and connectivity.
Drivers
The efficiency of a subwoofer is directly proportional to the total radiating are squared hence the woofer quantity and diameter.Both JBL Stage 220Pand B&W ASW610 have a single woofer setup however the JBL Stage 220P's woofer is 12-inch whereas the B&W ASW610 features a 10-inch woofer.
Frequency Response
Stage 220P has a frequency range of 29-150 Hz whereas ASW610 has a frequency range of 27-140 Hz. With a minimum frequency of 27Hz, the ASW610 can go slightly deeper then the Stage 220P's min frequency of 29Hz.
Below graphs depict how these two speakers compare with the max, min and average values of the Min and Max Frequencies of other speakers in the Subwoofer class in our database.
Low Frequency
Subwoofer Speakers
High Frequency
Subwoofer Speakers
Cabinet Type
The JBL Stage 220P has a Passive Radiator type cabinet. Passive Radiator type subwoofers sports a non-powered cone that moves in response to the main woofer to move air out in order to generate stronger bass in a smaller body compared to ported or sealed designs. On the other hand the B&W ASW610 have Acoustic Suspension type enclosure. Acoustic Suspension aka Sealed type subwoofers have enclosures that are sealed hence no ports or holes exists on the cabinet. Sealed designs helps to provide more accurate and tight bass responses compared to ported designs.
Physical Specs
The size of a speaker can sometimes be an important decision factor due to space constraints or in some cases purely for esthetic reasons. In this section, we are going to compare JBL Stage 220P's and B&W ASW610's external dimensions. JBL Stage 220P has external dimensions of 418.0 x 405.0 x 445.0mm (16-7/16inch x 15-15/16inch x 17-1/2inch) whereas B&W ASW610 has external dimensions of 321.0 x 312.0 x 394.0mm (12-5/8 x 12-1/4 x 15-1/2inch).
JBL Stage 220P is clearly the larger of the two speakers. Its body is 93mm wider, 97mm taller and 51mm deeper than B&W ASW610.
Base Surface Area Comparison
Base surface area of a loudspeaker may become a determining factor when the space in your room or desk is limited.
The base surface area of the JBL Stage 220P is approximately 1802.3cm2 / 279.4inch2 and base area of the B&W ASW610 is approximately 1229.3cm2 / 190.5inch2. The Stage 220P requires 47% more surface area than the ASW610 which gives it a small disadvantage on placement in tight spaces.
Weight Comparison The weight of a subwoofer may become an important factor if you need to move and reposition the unit often to find the optimal positioning, also known as 'Subwoofer Crawling'. The JBL Stage 220P weighs 18.73kg / 41.2lbs and the B&W ASW610 weighs 12.55kg / 27.6lbs. This makes the Stage 220P 49% heavier than the ASW610.
Here is a comparison of how Stage 220P and ASW610's weights compare with the average, max and min weights in Powered Subwoofer class.
Weight
All Subwoofer Speakers
 Woofer Size |
12 inches
vs
10 inches
|
Larger woofer |
 High Frequency Response |
150 Hz
vs
140 Hz
|
Generates higher frequency |
 Price per pair* |
599USD
vs
899USD
|
costs less (*prices may change depending on the seller, location and time) |
| Low Frequency Response |
27 Hz
vs
29 Hz
|
Generates deeper bass |
 Height |
321mm
vs
418mm
|
Easier to fit in smaller spaces |
 Base Surface Area |
1229cm2
vs
1802cm2
|
Takes less floor space |
Size, drawn to scale
Both subwoofers and both views share one scale, so everything here is directly comparable. Hover a box for its dimensions.
One scale for both, standing on the same floor and pushed back to the same wall, so the bigger one visibly takes more of the room.
JBL Stage 220P needs about 47% more floor area. JBL Stage 220P stands 51mm further into the room. JBL Stage 220P is 97mm taller.
| General |
JBL Stage 220P |
Bowers & Wilkins ASW610 |
| Brand |
JBL |
Bowers Wilkins |
| Speaker Type |
Powered Subwoofer |
Powered Subwoofer |
| Max Amplifier Output |
250 watts |
200 watts |
| Frequency Response |
29-150 Hz |
27-140 Hz |
Amplifier |
|
|
| Watts RMS (Continuous) |
250-watt RMS |
200-watt RMS |
| Watts Peak (Max) |
500-watt RMS |
n/a |
Drivers |
|
|
| Woofer Quantity |
1 |
1 |
| Woofer Size |
12" |
10" |
| Woofer Composition |
Polycellulose |
Paper/Aramid Fiber |
| Woofer Surround Material |
n/a |
Rubber |
| Tweeter Size |
- |
- |
| Aimable Tweeter |
No |
No |
| Midrange Driver |
No |
No |
| Firing Direction |
front |
front |
Physical Specs |
|
|
| Height |
418.0mm (16.5") |
321.0mm (12.6") |
| Width |
405.0mm (15.9") |
312.0mm (12.3") |
| Depth |
445.0mm (17.5") |
394.0mm (15.5") |
| Weight |
18.73kg (41.2lbs) |
12.55kg (27.6lbs) |
| Enclosure |
Passive Radiator |
Acoustic Suspension |
| Finish |
MDF/Wood-grain vinyl |
n/a |
| Available Colors |
Espresso,Latte |
n/a |
| Grille |
Yes |
Yes |
| Moisture Resistancy |
No |
No |
Connections |
|
|
Other |
|
|
| Parts Warranty |
1 year |
2 Years |
| Labor Warranty |
1 year |
2 Years |
A ported subwoofer against a sealed one. That is the most consequential line on this page: it decides how the bass rolls off, how it behaves in a small room, and how much output you get for the size of the box.
| Area | Better | Why |
|---|
| Bass depth | evenly matched | Effectively the same reach (29Hz vs 27Hz). |
| Amplifier power | A | JBL Stage 220P has the bigger amplifier - 250W against 200W RMS, about 1dB more on tap. In a large room that is headroom before the DSP starts limiting. |
| Driver area | A | JBL Stage 220P moves more air: 12" against 10" is 1.44x the cone area, not the 1.2x the diameters suggest. More area means the same output with less excursion, and less distortion with it. |
| Enclosure | depends | JBL Stage 220P is ported - a ported box gives more output low down for its size, at the cost of a steeper roll-off below tuning; B&W ASW610 is sealed - a sealed box rolls off gently and is usually the easier one to integrate in a small or awkward room. Neither is better in the abstract; ported tends to suit films and sealed tends to suit music, and both generalisations have exceptions. |
| Speaker-level inputs | B | B&W ASW610 takes a speaker-level connection as well as line level. That is what lets it work with an integrated amplifier or a vintage receiver that has no subwoofer output at all. |
| Cabinet size | depends | B&W ASW610 is about 48% smaller by volume. In a subwoofer that is a real trade rather than a preference: box volume is how you get output low down without a bigger amplifier. |
| Warranty | B | B&W ASW610 carries 2 years on parts against 1 years. A subwoofer amplifier works harder than anything else in the system, so this is not a throwaway line. |
| Price | A | JBL Stage 220P costs less - $599 against $899, about 33% less. |
A JBL Stage 220P B B&W ASW610
depends neither is better in the abstract - it turns on your room, your system or how you will use them. Only specs published for both subwoofers are judged; anything missing on either side is left out rather than guessed.
Which should you choose?
Neither runs away with it - they trade advantages. Let your room size and where the box can actually stand settle it. Films or music? If this is mainly a home cinema, JBL Stage 220P will hit harder for the money; if it is mainly for music in a normal-sized room, B&W ASW610 is usually the easier one to make sound right. Check your amplifier first: if it has no subwoofer or preamp output, B&W ASW610 is the only one of these two you can connect at all.
One thing outweighs everything above: where the subwoofer stands. Room modes can add or remove 10dB or more at a given seat, which is far larger than any difference on this page. Before spending more, try the sub in two or three positions - the crawl test, where you put it in the listening seat and crawl the room to find where the bass sounds best, costs nothing and usually beats an upgrade.