SpeakerDecision
  • SPEAKERS
    • By Type
      Passive Bookshelf Speakers Passive Floor-standing Speakers Passive Center Channel Speakers Passive In-wall Speakers All Passive Speakers Powered Subwoofers Powered Stereo Speakers
      By Feature
      HDMI Input Room Correction Subwoofer Output Front Firing Port Handheld Remote Roon Ready
      By Brand
      Acoustic Energy Aperion ATC Audio-Technica Audioengine Bluesound Bowers Wilkins Buchardt Cambridge Audio Canton DALI Definitive Technology Dynaudio ELAC Emotiva Fluance Focal Fyne Audio Genelec GoldenEar Harbeth Jamo JBL Kanto KEF KLH Klipsch Leak Mackie Magnepan MartinLogan McIntosh Mission MoFi Monitor Audio Nuvo Onkyo OSD Paradigm Perlisten Polk Audio PS Audio PSB Q Acoustics REL Revel Russound Sennheiser Sonos Sonus faber Sony Spendor SVS Tannoy Technics Triangle Velodyne Victrola Wharfedale Wilson Audio Yamaha
  • AMPLIFIERS
    • By Type
      All Amplifiers Integrated Amplifiers Stereo Receivers Streaming Amplifiers Power Amplifiers Compact Amplifiers
      Home Theater
      All Home Theater Receivers AnthemARCAMDenonIntegraJBLMarantzMcIntoshNADOnkyoSonyYamaha
      By Power
      Up to 60 watts 61 to 90 watts 91 to 120 watts 121 to 180 watts Over 180 watts
      By Feature
      HDMI Input Room Correction Subwoofer Output Handheld Remote Roon Ready
      By Brand
      Accuphase Advance Paris Anthem Arcam Audio Research AudioControl Audioengine Audiolab Bluesound Bose Buchardt Cambridge Audio Denon Devialet ELAC Emotiva Eversolo FiiO Fosi Audio Hegel HiFi Rose Integra JBL LEAK Luxman Marantz Mark Levinson McIntosh Michi MISSION MOON Musical Fidelity NAD Naim Onkyo OSD Parasound Pass Labs Peachtree PrimaLuna Primare PS Audio Rega Rogue Audio Roksan Rotel Schiit Audio Sonos Sony SVS T+A TEAC Technics Vincent WiiM Yamaha
  • SMART FIND
  • TOOLS
  • BLOG
  1. Home
  2. Passive Floor-standing Speakers
  3. Q Acoustics 5050 vs GoldenEar Triton Seven

Q Acoustics 5050 vs GoldenEar Triton Seven Comparison

x
Speaker to replace
Change

Q Acoustics 5050

Passive Floor-standing | 39-30k Hz

Q Acoustics 5050
Check price atAmazon›
Change
    
GoldenEar Triton Seven

Passive Floor-standing | 29-35k Hz

GoldenEar Triton Seven
Check price atAmazon›
Q Acoustics 5050 Q Acoustics 5050
Check price atAmazon›
GoldenEar Triton Seven GoldenEar Triton Sev...
Check price atAmazon›
Q Acoustics 5050
See at AMAZON
GoldenEar Triton Sev...
See at AMAZON

Q Acoustics 5050 vs GoldenEar Triton Seven Speaker Comparison

In this review, we will be comparing 5050 and Triton Seven, two Passive Floor-standing speakers from Q Acoustics and GoldenEar.

Let's have a brief look at the main features of Q Acoustics 5050 and GoldenEar Triton Seven first before getting into our more detailed comparison.

Key SpecsQ Acoustics 5050GoldenEar Triton Seven
BrandQ Acoustics
United Kingdom · founded 2006
GoldenEar
United States · founded 2010
Design2-way2-way
Tweeter1" Soft-domeFolded Ribbon
Woofer2 x 6" Continuous Curved Cone2 x 5.25" Polypropylene
Frequency response39-30k Hz29-35k Hz
Sensitivity91.5 dB89 dB
Impedance6 ohms8 ohms
Power range25-175 watts10-300 watts
Weight21.60kg / 47.5lbs14.55kg / 32lbs
Dimensions (H x W x D)43.3" x 12.6" x 17.3"
1100.0 x 320.0 x 439.0mm
40-1/2" x 10-1/2" x 14-1/2"
1029.0 x 267.0 x 369.0mm

What size room are the Q Acoustics 5050 and GoldenEar Triton Seven speakers good for?

The size of the room in which you are planning to use these loudspeakers is an important decision factor. Here we have compared their suitability to various sizes of environments considering their size and max power parameters:

Listening Environment* Q Acoustics 5050 GoldenEar Triton Seven
Near-field Bad Bad
Small Room Poor Poor
Mid-size Room Good Average
Large Room Good Good
Very Large Room Poor Average

(* Approximate Room sizes: Small < 100sq. ft / 9 m2, Mid-size: 100-220 sq. ft / 9-20 m2, Large 220-400 sq. ft / 20-36 m2, Very Large: > 400 sq. ft / 36 m2. Average Floor Height: 9" / 2.7m. Typical room sizes differ from country to country, and the actual listening experience changes depending on floor height, room shape, surface materials, listening position, speaker locations, etc.)

The sections below take each area in turn: drivers, frequency response, physical size and what you get in the box.


**This post contains affiliate links, and we will be compensated if you make a purchase after clicking through our links. As an Amazon Associate I earn from qualifying purchases.


Drivers

Both 5050 and Triton Seven are 2-way speakers.

Tweeter - 1 inchWoofer - 6 inchWoofer - 6 inch
Q Acoustics 5050
Woofer - 5.25 inchWoofer - 5.25 inch
GoldenEar Triton Seven

TweeterWoofer

Front view, drawn to scale - cabinets and drivers share one scale, so sizes are directly comparable. Hover a driver for its size.

Driver Q Acoustics 5050 GoldenEar Triton Seven
Driver Setup 2-way 2-way
Tweeter 1-inch -inch
Midrange - -
Woofer 2 x 6-inch 2 x 5.25-inch

5050 features a 1" Soft-dome Tweeter and 2 x 6" Continuous Curved Cone Woofer with a Crossover frequency at 2700 Hz. On the other hand, the Triton Seven features a " Folded Ribbon Tweeter and 2 x 5.25" Polypropylene Woofer.

Frequency Response

5050 has a frequency range of 39-30k Hz whereas Triton Seven has a frequency range of 29-35k Hz. With a minimum frequency of 29Hz, the Triton Seven can go significantly deeper on the low side and provide stronger bass compared to the 5050's min frequency of 39Hz.

The graph below depicts how these two speakers compare with the max, min and average Low Frequency values of other speakers in the Floor-standing class in our database.

Low Frequency

Floor-standing Speakers

5050
Triton Seven
Min
Average
Median

Neither pair reaches down to 20Hz, the usual definition of full-range, which is normal for speakers of this size. If you want the bottom octave for movies or bass-heavy music, add a subwoofer to whichever you choose. Visit our Powered Subwoofers section to find out more about the available options.

Impedance and Sensitivity

5050 is a 6 ohms speaker compared to the Triton Seven which has a nominal impedance of 8 ohms.

These two speakers also have different sensitivity levels. 5050 sensitivity is rated at 91.5 dB and the Triton Seven's is rated at 89 dB. This 3 dB difference makes the Q Acoustics 5050 a more sensitive speaker compared to GoldenEar Triton Seven, hence will play louder with the same amount of watts.

Sensitivity

Floor-standing Speakers

5050
Triton Seven
Min
Average
Median

Power Range

Power range is the range of input power in watts RMS that a loudspeaker is designed to handle. Staying within that range gives nominal performance; driving the speaker beyond its maximum wattage can damage it.

Triton Seven can handle a max power of 300 watts RMS, whereas 5050 has a max power handling value of 175 watts RMS, 125 watts less than the Triton Seven.

Note that higher power handling does not make a speaker louder: that depends mainly on sensitivity and impedance. The calculator below shows how loud each of these actually plays on a real amplifier.

Which plays louder on your amplifier?

Starting with a popular amplifier - change it to the one you own, or any you are considering, and watch both numbers move.

Q Acoustics 5050
 
GoldenEar Triton Seven
 

Input Type and Bi-Amping / Bi-Wiring

5050 features 5-way Post type posts and Triton Seven has a 5-way Post type posts. None of these speakers feature bi-amping/bi-wiring.

Q Acoustics 5050 Terminals
Q Acoustics 5050's Binding post terminals

Cabinet Type and Port Position

Both 5050 and Triton Seven have rear firing ports. Rear ported speakers generally need more room between the backside of the speaker and the wall compared to sealed and front/bottom ported speakers. Placing the speakers too close to the walls may cause the bass to sound boomy.

If you are limited in space and can't get the speakers away from the backwall, check our Speakers with Front Firing Ports page.

Physical Specs

The size of a speaker can sometimes be an important decision factor due to space constraints or in some cases purely for esthetic reasons. In this section, we are going to compare Q Acoustics 5050's and GoldenEar Triton Seven's external dimensions. Q Acoustics 5050 has external dimensions of 1100.0 x 320.0 x 439.0mm (40.0 x 15.2 x 13.2 in) whereas GoldenEar Triton Seven has external dimensions of 1029.0 x 267.0 x 369.0mm (40-1/2 x 10-1/2 x 14-1/2inch).

Q Acoustics 5050 is clearly the larger of the two speakers. Its body is 53mm wider, 71mm taller and 70mm deeper than GoldenEar Triton Seven.

Base Surface Area Comparison
Base surface area of a loudspeaker may become a determining factor when the space in your room or desk is limited. The base surface area of the Q Acoustics 5050 is approximately 1404.8cm2 / 217.7inch2 and base area of the GoldenEar Triton Seven is approximately 985.2cm2 / 152.7inch2. The 5050 requires 43% more surface area than the Triton Seven which gives it a small disadvantage on placement in tight spaces.

Weight Comparison

The weight of a loudspeaker can become an important factor if you need to move and reposition the unit often. Weight of a speaker can also "sometimes" be an indicator of the rigidity of the enclosure and the quality of the internal components used. The Q Acoustics 5050 weighs 21.60kg / 47.5lbs and the GoldenEar Triton Seven weighs 14.55kg / 32lbs. This makes the 5050 48% heavier than the Triton Seven.

Here is a comparison of how 5050 and Triton Seven's weights compare with the average, max and min weights in Passive Floor-standing class.

Weight
All Floor-standing Speakers
Q Acoustics 5050
GoldenEar Triton Seven
Min
Average
Max

What's in the Box of Q Acoustics 5050?

Here are the items that are included inside the box of 5050:
  • 1x 5050 loudspeaker
  • 1x Owners manual
  • 2x Foam bung
  • 4x Spike feet
  • 4x Spike cover
  • 4x M5 screw
  • 2x Rear stabiliser

What's in the Box of GoldenEar Triton Seven?

Here are the items that come with the Triton Seven:
  • Floorstanding loudspeaker
  • 4 Rubber feet (pre-installed)
  • 4 Spikes
  • 4 Locking nuts
  • Owners Manual


Reasons to choose Q Acoustics 5050 over GoldenEar Triton Seven

Sensitivity 92 dB vs 89 dB Play louder with same amount of amplification power
Woofer Size 6 inches vs 5.25 inches Larger woofer

Reasons to choose GoldenEar Triton Seven over Q Acoustics 5050

Max Input Power 300 watts vs 175 watts Handle more power from your amplifier
Nominal Impedance 8 ohms vs 6 ohms Less selective with amplifiers
Low Frequency Response 29 Hz vs 39 Hz Generates deeper bass
High Frequency Response 35k Hz vs 30k Hz Generates higher frequency
Passive Radiator dual 8-inch infrasonic planar sub-bass vs None Increases the bass performance
Height 1029mm vs 1100mm Easier to fit in smaller spaces
Base Surface Area 985cm2 vs 1404cm2 Takes less floor space
Price per pair* 1798USD vs 1999USD costs less (*prices may change depending on the seller, location and time)

Q Acoustics 5050 vs GoldenEar Triton Seven Specs Table

Detailed comparison of specifications
General Q Acoustics 5050 GoldenEar Triton Seven
Brand Q Acoustics GoldenEar
Speaker Type Floor-standing speaker Floor-standing speaker
Power Range 25-175 watts 10-300 watts
Sensitivity 91.5 dB 89 dB
Impedance 6 ohms 8 ohms
Impedance 3.6 ohms n/a
Frequency Response 39-30k Hz 29-35k Hz
Drivers
Woofer Quantity 2 2
Woofer Size 6" 5.25"
Woofer Composition Continuous Curved Cone Polypropylene
Woofer Surround Material Rubber Rubber
Tweeter Size 1" -
Tweeter Type Soft-dome Folded Ribbon
Aimable Tweeter No No
Midrange Driver No No
Crossover Frequency 2700 Hz n/a
Firing Direction rear rear
Physical Specs
Height 1100.0mm (43.3") 1029.0mm (40.5")
Width 320.0mm (12.6") 267.0mm (10.5")
Depth 439.0mm (17.3") 369.0mm (14.5")
Weight 21.60kg (47.5lbs) 14.55kg (32lbs)
Enclosure Bass Reflex Passive Radiator
Finish MDF MDF/Lacquer
Available Colors Holme Oak,Satin Black,Satin White,Santos Rosewood Gloss Black
Grille Yes n/a
Moisture Resistancy No No
Connections
Biamp Inputs No No
Other
Parts Warranty 5 years 5 Years
Labor Warranty 5 years 5 Years

Verdict

A generation apart: Q Acoustics 5050 is the newer design, against a 2013 model. Newer is not automatically better, but the older one is more likely to be discounted or near run-out.

AreaBetterWhy
BassBGoldenEar Triton Seven digs deeper - 29Hz against 39Hz.
Amplifier needsAQ Acoustics 5050 is more sensitive (92dB vs 89dB), so it goes louder on the same amplifier.
Amplifier matchBGoldenEar Triton Seven is the easier load at 8 ohms.
HeadroomBGoldenEar Triton Seven takes more power (300W vs 175W) - more in hand in a big room.
SizedependsGoldenEar Triton Seven is easier to place; Q Acoustics 5050 is bigger, which usually goes with fuller bass. Your room decides.
CabinetdependsPorted vs Passive Radiator.
PriceBGoldenEar Triton Seven is cheaper - $1,798 against $1,999, about 10% less.

A Q Acoustics 5050  B GoldenEar Triton Seven
depends neither is better in the abstract - it turns on your room, your system or how you will use them. Only specs published for both speakers are judged; anything missing on either side is left out rather than guessed.

Which should you choose?

GoldenEar Triton Seven is the easier recommendation: it leads on most of the measured areas and costs less. Take Q Acoustics 5050 if its size, looks or fit in your room suit you better. If a subwoofer is in your plans, the bass gap largely stops mattering - you would be crossing over above 39Hz anyway, so judge these on the other rows instead. Match it to your room: we rate Q Acoustics 5050 the better fit for a mid-size room, and GoldenEar Triton Seven for a very large room.

And remember what a spec sheet cannot show: how each looks in your room and whether the finish suits it, what dealer support and warranty are like where you live, and how they actually sound to you. If you can hear them first - ideally with your own music - that will tell you more than any number above.


Most Popular Speakers
Klipsch Reference R-51M
Klipsch R-51M
2-way | 93 dB | 8 ohms
ELAC Debut 2.0 B6.2
ELAC Debut 2.0 B6.2
2-way | 87 dB | 6 ohms
Wharfedale Elysian 2
Wharfedale Elysian 2
3-way | 89 dB | 4 ohms
KEF Q150
KEF Q150
2-way | 86 dB | 8 ohms
Bowers & Wilkins 606 S2 Anniversary Edition
B&W 606 S2
2-way | 88 dB | 8 ohms
Klipsch Reference Premiere RP-500M
Klipsch RP-500M
2-way | 93 dB | 8 ohms
Wharfedale EVO5.1
Wharfedale EVO5.1
2-way | 87 dB | 4 ohms
Wharfedale EVO4.1
Wharfedale EVO4.1
2-way | 87 dB | 8 ohms
Copyright © 2026 by SpeakerDecision
About Privacy Contact US Camera Decision

Report a Correction